![]() And it is true that I have never crossed a certain line with him. I feel that Dad modelled his relationship with me on the one he shared with his own father. As far as my personal relationship with him goes, well, it is one ofĬomplete reverence. Perhaps this is what has stood him in good stead. Again, this was done with a lot of respect – his ultimate goal was always to excel in what was offered to him. I sensed a child-like enthusiasm and a certain abandon when it came to his approach to roles. He started experimenting with the characters given to him. ![]() However, in his second innings, he has worked hard to reinvent himself. Looking back, he probably did the same kind of characters for the first twenty years of his life. He is that kind of man very detail-driven. He had it in him to better his craft, go shopping for his costumes or examine every minute aspect. ![]() I saw his enthusiasm even at that age, after all those years in the industry. And each morning I would observe my father getting ready for his shoot. I was living with my parents at that point. The third thing is that he taught me to respect my work. I am not sure if I can adequately convey how much I admire the respect and deep caring they have for one another. As children we have learnt a lot about love and human behaviour through observing our parents – how they are with each other, how they speak to each other. He gave her and continues to give her tremendous respect, love and care. They have sulked with each other and all of that, but he truly loves my mother in a very solid way. My parents have had their fair share of intense fights. The second gift is that he has been a good husband to my mother. With her as our bedrock, none of the ups and downs in our lives could really touch us. He showed us by example that she was at the centre of all our lives and our home. As I sit down to analyse my relationship with my father, I would say that the most precious gift he has given my sister Riddhima and me is that we can love our mother unconditionally. Photographic Inserts About the Book About the Author Copyright On Fatherhood Afterword: Neetu Kapoor Filmography Index Acknowledgements Co-author’s Acknowledgements Buddies, Bad Men, Peers and Contemporaries 10. Misses, Multi-starrers and Musical Chairs 5. TALK TO US Join the conversation on Twitter Like us on Facebook to find and share posts about our books with your friends Follow our photo stories on Instagram Get fun pictures, quotes and more about our books on Tumblr įoreword: Ranbir Kapoor 1. Cover design: HarperCollins Publishers India Cover image: Vickky Idnaani HarperCollins Publishers A-75, Sector 57, Noida, Uttar Pradesh 201301, India 1 London Bridge Street, London, SE1 9GF, United Kingdom Hazelton Lanes, 55 Avenue Road, Suite 2900, Toronto, Ontario M5R 3L Markham Road, Scarborough, Ontario M1B 5M8, Canada 25 Ryde Road, Pymble, Sydney, NSW 2073, Australia 195 Broadway, New York, NY 10007, USA No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins Publishers India. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. All rights reserved under The Copyright Act, 1957. The views and opinions expressed in this book are the author’s own and the facts are as reported by him, and the publishers are not in any way liable for the same. KHULLAM KHULLA Rishi Kapoor Uncensored With Meena Iyerįirst published in hardback in India in 2017 by HarperCollins Publishers Copyright © Rishi Kapoor 2017 P-ISBN: 978-93-5264-302-8 Epub Edition © January 2017 ISBN: 978-93-5264-307-3 2 4 6 8 10 9 7 5 3 1 Rishi Kapoor asserts the moral right to be identified as the author of this work. She has keenly observed three generations of the Kapoors, the first family of Hindi cinema. She has been an active media person for the last thirty-four years. MEENA IYER is a senior editor and a film critic at the Times of India.
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